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Tom's avatar

I’m afraid I must reluctantly disagree with your interpretation of John Williams’ “Stoner”. For starters, I don’t find Bill Stoner to be tremendously sympathetic, and I think Williams’ development of his character contains some inconsistencies that prevented me from accepting him as a fully rounded person. We are meant to believe that Stoner is “in love” with literature, as Professor Sloane tells him early in the novel, but I was never persuaded that Stoner had a real passion for books and reading. In fact, the only passion in his life was Katherine Driscoll, though I certainly don’t begrudge him that brief interlude of love and happiness.

I never thought of Edith as being “a villain”. She is the product of a loveless marriage and a dysfunctional homelife, where it was made clear to her from birth that she was an unwanted child, not the son her parents felt they deserved. I don’t view her as being “a sheltered, timid woman”; rather, she’s a child deprived of parental love to the point that she’s emotionally damaged and withdraws into herself. It’s not her marriage to Stoner that’s the trap, it’s her toxic family home that she marries Stoner to escape from.

I think the responsibility for the failure of the marriage rests more with Stoner than with Edith. Stoner’s first meeting with Edith’s parents should have alerted him that there was something definitely odd about the family. But Stoner doesn’t seem to be a particularly perceptive person. Twice during the novel, we are told that he is not very introspective. Another time we are told he feels a certain “deadness”. We also learn that, “He felt at times that he was a kind of vegetable, and he longed for something—even pain—to pierce him, to bring him alive.” Stoner doesn’t sound like the sort of person to be an active and sympathetic listener, someone to help Edith share the burden of her sorrows and fears, and make their marriage work.

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Tom's avatar

Not book-related, but on Friday night, Francesca, my son Mathew and I went to see “Nosferatu” at the local cineplex and thoroughly enjoyed it! The whole film is pervaded by this grim, gray, gloomy, dank, cold, winter twilight mood and feeling. Even though the theatre was well-heated, I was glad I wore a sweater. The filmmakers paid a tremendous amount of attention to details of costume, hair styles, set design and furnishings. The outdoors scenes were similarly impressive, and there were times when I lost my sense of sitting in a movie theatre and became thoroughly absorbed in what was happening on the big screen. I didn’t hear a peep from the audience during the whole screening, as if they were equally transfixed. A great horror film with a sustained mood of unease throughout the whole movie. My only problem with “Nosferatu” is that it breaks one of my own personal rules about horror stories and horror films.

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